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Le nom de « chierico di Parenzo » que l’on attribue généralement à Antico, rappelle les privilèges accordés par le pape Léon X (1513, 1516 et 1517). Il travailla à Rome, de 1510 à 1518, et à Venise, de 1520 à 1521. Il collabora avec plusieurs imprimeries dont les plus importantes furent celles de O. Scotto et de L.A. et J. Giunto, comme coéditeur ou comme xylographe. Particulièrement intéressante fut sa collaboration, en 1521, avec l’imprimeur A. Torresani, pour la publication de deux livres de motets et de deux livres de messes. C’est Torresani qui publia certains des plus anciens livres croates en caractères glagolitiques qui nous sont parvenus. Seul ou en étroite collaboration, Antico imprima ou participa à l’impression d’environ 30 ouvrages musicaux. Il introduisit plusieurs innovations dans l’imprimerie musicale, notamment celle qui consiste à imprimer la musique en un seul passage en réunissant à la fois des caractères mobiles pour le texte et des bois gravés qu’il réalisait lui-même pour la musique. Il imprima surtout des in-quarto, plus économiques que les autres formats. Par ailleurs, son anthologie <em>Liber quindecim missarum</em>, qui renferme des oeuvres de Josquin, Févin, Mouton et autres, représente le plus ancien livre musical en grand in-folio. Il se distingua comme propagateur de la musique française en Italie (<em>La couronne et fleur des chansons a troys</em>, 1539). Son recueil <em>Frottole intabulate da sonar organi, libro primo</em> (1517) est le premier recueil imprimé de frottoles vocales mises en tablature pour orgue. Dans son recueil <em>Frottole de misser Bartolomio Trombocino &amp; de misser Marchetto Carra</em> (1520), Antico se révèle être aussi un transcripteur de musique de luth. Il est sans aucun doute l’auteur de deux d’entre les frottoles qu’il inséra dans son recueil d’anthologie <em>Canzoni sonetti strambotti et frottole, libro tertio</em> (1513), alors qu’il n’est pas certain que les 15 autres, signées « A. de Antiquis (Venetus) » lui soient attribuables. Il acquit une solide réputation auprès de ses contemporains, non seulement par son activité d’imprimeur mais aussi pour ses qualités de musicien expérimenté. Il sut la mettre à profit dans les livres qu’il publiait, notamment à travers le choix attrayant du répertoire musical offert par ses éditions, mais également dans la réunion des nombreuses oeuvres de compositeurs européens reconnus, qui ont été conservées uniquement dans ses éditions. On ignore cependant si les recueils de musique profane et religieuse d’Antico furent connus de ses compatriotes de l’époque."]],["elementText",{"elementTextId":"62175"},["text","<a href=\"http://data.bnf.fr/13984789/andrea_antico\" target=\"_blank\" rel=\"noreferrer\">http://data.bnf.fr/13984789/andrea_antico</a>"]]]],["element",{"elementId":"76"},["name","Zotero_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"62176"},["text","RENVOIS "]],["elementText",{"elementTextId":"62177"},["text"," CESR_person_00080 "]],["elementText",{"elementTextId":"62178"},["text"," source_RMC13"]]]],["element",{"elementId":"36"},["name","Bibliography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"62179"},["text","Disertori, Benvenuto, <em>Le Frottole per canto e liuto intabulate da Franciscus Bossinensis</em>, Milano, Ricordi, coll. « Istituzioni e monumenti dell’arte musicale italiana. Nuova serie », n°3, 1964."]],["elementText",{"elementTextId":"62180"},["text","Einstein, Albert, 'Andrea Antico’s Canzoni nove of 1510', <em>Musical Quarterly</em>, XXXVII, 1951, pp. 330-339."]],["elementText",{"elementTextId":"62181"},["text","Fenlon, Iain, <em>Music, Print and Culture in Early Sixteenth-Century Italy</em>, Londres, 1995."]],["elementText",{"elementTextId":"62182"},["text","Luisi, Francesco, <em>La musica vocale nel Rinascimento: Studi sulla musica vocale profana in Italia nei secoli XV e XVI</em>, Turin, the British library, 1977."]],["elementText",{"elementTextId":"62183"},["text","Stipčević, Ennio, <em>Hrvatska glazba, povijest hrvatske glazbe do 20. stoljeća</em>, Zagreb, Školska knjiga, 1997."]],["elementText",{"elementTextId":"62184"},["text","Županovic, Lovro, <em>Sedamnaest frottola</em> [17 frottole]. <em>Spomenici hrvatske glazbene proslosti</em>, III, Zagreb, Drustvo hrvatskih Skadatelja, 1972."]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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