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Il n’est pas certain qu’on doive lui attribuer les quelques madrigaux signés « Courtois » des recueils de l’époque (RISM 1542/18 et 1543/18) ; l’auteur en est plus probablement Jean Courtois. « Lamberto Cortese et compagni cantori » participèrent à Pâques 1550 à un concert donné par l’Arciconfraternità del Ss. Crocifisso en l’église Saint-Marcel de Rome. En 1553, il est mentionné comme musicien pendant les fêtes du carnaval à l’Accademia Filarmonica de Vérone. L’année suivante, il fut engagé par l’orchestre du recteur de Dubrovnik. Il exerça dans cette ville comme maître de musique, musicien (tibicinus) et « maestro », ainsi que « maestro di capellae » à la cathédrale. L’évêque de Dubrovnik, Ludovico Beccadeli, nota dans une de ses lettres que Lambert était un « musico eccelente non solo a Ragusa ma anche in Italia ». Il s’installa ensuite à Udine, où il travailla comme « maestro di cappella » à la cathédrale (1570-74), puis à Trévise (1574-79) et à Vicence (1582-85). Son séjour à Dubrovnik (1554-1570) fut le plus long, et c’est la période ou il fut le plus actif comme compositeur. Son recueil <em>Madrigali a cinque</em> (RISM C4347 ; les parties S et A ont disparu) est dédié à trois aristocrates de Dubrovnik : Miho Marina Bunić, Nikola Ive Gundulić et Marko Tome Baziljević. Certains poètes ragusains furent peut-être les auteurs des paroles de plusieurs pièces vocales de ce recueil. Petit Jacquet, la seule pièce instrumentale connue de Courtoys, est une canzone à quatre voix, publiée dans l’anthologie \"Musica de diversi autori\", la \"Battaglia francese\" et \"Canzon delli ucelli insieme alcuni canzoni francese, partite in caselle per sonar d’instromento perfetto novamente ristampate\" (RISM 1577/11). Cette canzone fut citée ultérieurement par Girolamo dalla Cassa dans <em>Il vero modo di diminuir, Libro secondo</em> (1584). L’oeuvre de Courtoys constitue l’un des plus importants témoignages de la musique croate de la Renaissance. Son fils aîné, Henri (Henrik) Courtoys, participa par deux madrigaux au recueil de son père de 1580, et son fils cadet, Lambert Courtoys (le Jeune), fut lui aussi musicien à Dubrovnik."]],["elementText",{"elementTextId":"62570"},["text","<a href=\"http://data.bnf.fr/14823043/lambert_courtois\" target=\"_blank\" rel=\"noreferrer\">http://data.bnf.fr/14823043/lambert_courtois</a>"]]]],["element",{"elementId":"76"},["name","Zotero_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"62571"},["text","RENVOIS "]],["elementText",{"elementTextId":"62572"},["text"," CESR_person_00100 "]],["elementText",{"elementTextId":"62573"},["text"," source_RMC11 "]]]],["element",{"elementId":"36"},["name","Bibliography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"62574"},["text","Demović, Miho, <em>Musik und Musiker in der Republik Dubrovnik vom Anfang des 11. Jahrhunderts bis zur Mitte des 17. Jahrhunderts</em>, Zagreb, Musikinformationszentrum, coll. \"Studien zur Kroatischen Musikkultur. Übersetzungsreihe\", n°2, 1981."]],["elementText",{"elementTextId":"62575"},["text","Powers, Katherine (ed.), <em>Musica spirituale: libro primo (Venice, 1563)</em>, Middleton, A-R Editions, coll. « Recent researches in the music of the Renaissance », n°127, 2001."]],["elementText",{"elementTextId":"62576"},["text","Stipčević, Ennio, \"Courtoys, Lambert\", <em>MGG</em>, 2000, vol. 4, pp. 1767-1770."]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"62540"},["text","Courtoys, Lambert (c.1530-1585). Composer"]]]]]]]]]